
For me, designing any syllabus raises a challenging question: how does one
establish a map that will not only guide us, but be openended enough to
allow for unexpected avenues of thinking. Given the nature of AMST 629V,
with its emphasis on guest speakers and workshops, it is important to keep
in mind that any map is indeed preliminary, and we may take a number of
apparent detours along the way...
Course Description:
This seminar is being offered as part of our department's Mini-Center for Teaching Interdisciplinary Studies of Culture and Society. After introducing ourselves and our objectives, we will engage in a series of dialogues with guest speakers known for their innovative approaches to teaching cultural studies in an interdisciplinary fashion. We will also read several basic texts (by Parker Palmer, Henry Giroux and his co-editors, Janet Murray), examine essays recommended by our invited speakers, continue our conversations via e-mail, and report on relevant lectures, workshops, symposia, and other sources of information that we have encountered either on campus online. Among the key issues to be addressed: 1) what interactive strategies should be initiated by instructors hoping to be "public" and perhaps "radical" intellectuals? 2) how does one encourage students to confront and question the assumptions of race, gender, class and/or ethnicity? 3) to what degree may media technology, including the computer, be employed to enhance an individual's awareness of the challenges of a contemporary and future society?
Texts to Be Purchased:
Paul Auster, City of Glass (graphic novel)
Parker Palmer, The Courage to Teach
Henry Giroux and Patrick Shannon, Education and Cultural Studies:
Toward a Performative Practice
Henry Giroux et al, Counternarratives
Janet Murray, Hamlet on the Holodeck: The Future of Narrative in
Cyberspace
Course Packet at BSOS Copy Center (Tydings Hall)
Course Calendar
| -- Next meeting |
| January | Introductions | |
|---|---|---|
| 29 | Introducing Our Selves | |
| February | 5 | Surveying the
Terrain Paul Auster, City of Glass; Introductions to Palmer, Giroux, Murray; Murray, Chapter 5; BSOS Course Packet (readings on the role of the teacher, museum exhibitions, film, cyberspace) Optional: Rear Window (!), AMST History Folder (on reserve) |
| Spatial Practice
I: The Role of the Teacher Focus Texts: Parker Palmer, Henry Giroux(2) |
||
| 12 | Introducing Life
History Speaker: John Caughey |
|
| 19 | Tactics for
Interaction Speaker: Jeremy Korr |
|
| 26 | The Radical
Pedagogue Speakers: Kelly Quinn, Ed Martini |
|
| March | Spatial Practice II: Interrogating Cultural Diversity Focus Text: Giroux (2) |
|
| 5 |
The Asian-American Experience & Public Policy Visit: Phil Nash's AMST Class |
|
| 12 | Community
Outreach: Service & Learning in Baltimore Speaker, Ed Orser, American Studies, UMBC (Begin at 3 pm) 5 pm: Update on Seminar Final Projects |
|
| 26 | Confrontations: Teaching
Sexuality & Feminist Space Speakers: Eva George, Barbara Shaw-Perry |
|
| April | 2 | Exhibiting Cultural
Diversity: The Museum as Classroom Speakers: Psyche Williams-Forson, Ann Denkler, Jane Dusselier |
| 9 | Multicultural
Perspectives: The Prisms of Race, Gender & Ethnicity (tentative) Invited Panelists/Roundtable Discussion: Nancy Struna, Mike Hummel, Josh Woodfork, John Daves Discussion: Weekend Conference for Cyberculture Studies |
|
| Spatial Practice III: Expanding Mediascapes Focus Text: Janet Murray, Giroux (2) |
||
| 16 | Hypertextual Avenues: Where Do We
Go From Here? (tentative) Invited Speakers: Mitchell Lifton, Tim Lemke 5:30: Update on Seminar Final Projects |
|
| 23 | Reading Visual Culture: Art,
Videos & CD-ROMs Speakers: Marguerite Glass, Greg Metcalf |
|
| 30 | Global Outreach: Third World
Cinema/Distance Learning Speaker: Eugene Robinson |
|
| May | 7 | Engaging
Cyberculture Speakers: Katie King, David Silver |
| 14 | Expanding the
Classroom: Distance Learning Speakers: Debra DeRuyver, Charles Kisner, Greg Segreti |
|
| Concluding... | ||
| TBA | Discussion of Final Projects | |
Writing and Other Communications:
Rehearsing the Final Project (25%-40% of the final grade):
On March 12 and April 16, you will distribute one-page outlines of your
proposed Final Project to the seminar. You also should indicate to me how
you would like your work to be evaluated in terms of your written personal
reflections and your contributions to the seminar and/or in terms of
"extracurricular" events, classes & Web Sites that you have encountered
prior to March 12 and April 16. It is important to identify consistent
and impressive work in at least one of the following: